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RETROSPECT: History of Paramount/Viacom (and a bit about today)
The company got the Paramount name, which was first used by a film distribution company founded by William W. Hodkinson and other independent exhibitors in May 1914, after Paramount financed and distributed the product of Zukor's Famous Players, Jesse L. Lasky's Feature Play Company, and other producers. Zukor and Lasky knew a good thing when they saw it, and bought the controlling interest in Paramount in 1916. Zukor remained with the new company as president.
As the Paramount lot grew, it absorbed the adjoining RKO studio, which included Lucille Ball's DesiLu Studios. Star Trek, as [TOS], had begun under the aegis of Desilu Studios, which was a venture created by Lucille Ball out of her purchase of the old RKO Pictures facility. (The name "DesiLu" or "Desilu" combines the front part of the two names Desi Arnez, name and spelling to be checked, and Lucille Ball). That "lot" as such properties are known, was located at the corner of Gower Street and Melrose Avenue, stretching north along Gower for three or four city blocks. There it dead-ended up against a cemetery (giving rise to running jokes about this neighbour). Immediately to the east, and right up against the Desilu lot, was an intense competitor, Paramount Pictures. A wood and metal fence, in some places topped by barbed wire, separated the two rivals. When Gene Roddenberry first pitched his science-fiction series idea to Herb Solow, Desilu's executive in charge of production. In 1964, Desilu Studios was mostly a rental operation with its main claim to fame being the 'I Love Lucy' show, shot before a live audience every week on one of the studio's ten soundstages. Everything else was rented out to independent production companies. Hollywood studios have a long history of renting at least some space to the independents; Desilu had more under rental than most. In 1966 Desilu Studios was sold to Gulf & Western, an entertainment conglomerate that had also purchased Paramount Pictures. Eventually the fence was torn down and the two lots were combined into one sprawling facility covering roughly sixty acres. On 11 March 1994, Paramount merged with Viacom Inc, under the leadership of Sumner Redstone, chairman of the board and chief executive officer. As at spring 2004, Mel Karmazin is president and chief operating officer; Jonathan Dolgen is chairman, Viacom Entertainment Group; Sherry Lansing is chairman, Paramount Motion Picture Group. Paramount/Viacom - present
Paramount's desire to launch its own television network and place everything in-house was driven, as Poe describes it using a neat turn of phrase, by the twin engines of control and money. With a network of its own, the advertising revenues would likely go directly to Paramount. For Paramount, control and money working in tandem and bound together looked the best way to improve te 'bottom line'. When Viacom purchased control of Paramount, Poe comments that this philosophy only increased in intensity.
The address of the Studio is: Paramount Pictures, 5555 Melrose Avenue, Hollywood, CA 90038, USA. website As at spring 2004, due to heightened security, the Paramount Studio Tour is currently suspended. Enquiries after this date should be made to Paramount. It used to be that Star Trek was prepared to look at scripts submitted by outside writers and/or fans, and indeed it was the perhaps the only major tv series to do so. However, this is no longer the case. To submit a television or feature film script to Paramount Pictures, one must go through an authorised agent or lawyer. No direct "spec" submissions are accepted by the Studio and indeed, are forwarded to the legal department to be returned without them ever being opened much less looked at by the tv show concerned. Therefore the address given in Poe for submissions no longer applies.
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